5 неща, които трябва да знаете преди да си купите видео карта
THE AGE OF ARTHUR, PART NINETEEN: TRIUMPH AT BADON
Originally posted on The Deadliest Blogger: Military History Page: Unique among the territories of the Western Roman Empire in the 5th century, Britain succeeded in holding back and even reversing the tide of Germanic conquest for nearly two centuries. This was an age of heroes… It was the Age of Arthur! This is the…
THE AGE OF ARTHUR, PART NINETEEN: TRIUMPH AT BADON
No roads allowed! The village of Giethoorn in Netherlands
No roads allowed! The village of Giethoorn in Netherlands
No roads allowed! The village of Giethoorn in Netherlands
Как да отгледаме чери домати и как да се грижим за тях – съвети
Как да отгледаме чери домати – ако някога сте слагали чери домат в устата си, прясно откъснат от вашата градина, докато е все още топъл от слънцето, знаете защо тези ароматни малки изкушения са едни от най-популярните зеленчуци напоследък. В последните години, чери доматите стават все по-популярни за все повече хора. Те си пасват изключително […]
Как да отгледаме чери домати и как да се грижим за тях – съвети
New Early Music Facsimile Ready to Play on : Six Trio by GP Telemann (1718)
Six Trio faits par George Philippe Telemann. Six Trio for violin, another instrument & basso continuo published in 1718. More details, here. | Plus de détails, ici. Membership means more… Join today! Abonnez-vous et faites des économies …
New Early Music Facsimile Ready to Play on : Six Trio by GP Telemann (1718)
Diego Velázquez
A Knight of the Order of Santiago, 1650 
Christ in the House of Mary and Martha, 1620 
Don Gaspde Guzman, Count of Olivares and Duke of San Lucla Mayor, 1627 
Equestrian Portrait of Philip III, 1635 
Head of a Stag, 1634 
Joseph’s Bloody Coat Brough to Jacob, 1630 
Joseph’s Bloody Coat Brough to Jacob, 1630 
Mercury and Argus, 1659 
Miguel Angelo, Barber to the Pope, 1650 
Philip IV of Spain in Brown and Silver, 1632 
Pope Innocent X, 1650 
Portrait of a Cleric, 1623 
Portrait of Cardinal Infante Ferdinand of Austria with Gun and Dog, 1632 
Portrait of Don Luis de Gongora y Argote, 1622 
Portrait of the Infanta Margarita, 1660 
Portrait of the Infanta Maria Marguerita, 1654 
Prince Balthasar Carlos dressed as a Hunter, 1636 
Prince Philip Prosper, Son of Philip IV, 1659 
Queen Mariana, 1653 
Saint Thomas, 1620 
St. Anthony the Abbot and St. Paul the First Hermit, 1635 
St. Paul, 1620 
The Buffoon Juan de Calabazas (Calabacillas), 1629 
The Court Dwarf, Don Franciso Lezcano called ‘El Nino de Vallecas’, 1637 
Villa Medici in Rome (Facade of the Grotto Logia), 1630 
Young Peasant Girl, 1650
ДЮРЕР
Hendrick Goltzius – splendour and excess
“The fact – and this will seem to many unbelievable – that his paintings by no means equaled his superb engravings did a lot to damage his reputation.”[1] Constantijn Huygens, 1630
The term ‘virtuosity’ rarely fails to surface when discussing the graphic oeuvre of Dutch artist Hendrick Goltzius (1558-1617). Praised for his sheer technical brilliance, during his lifetime Goltzius was collected by royalty and those of wealth and influence. Rudolf II of Prague (1583–1612) even granted an imperial privilege that illegalized the copying of his engravings – a high honour indeed.[2] Yet as the quote above indicates it was always his prints that attracted the highest praise, which regardless of their artistic brilliance could never achieve the same level of prestige associated with painting. Despite abandoning engraving after 1598 and dedicating his final years to painting and drawing, Goltzius was not to conquer painting in the same way…
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